February 21, 2014

Ask LA Screenwriter: Choosing Great Character Names

We’re starting a new column here at LA Screenwriter. I was reading that great Dear Abby article yesterday, and I got to thinking that a lot of screenwriters would probably benefit from an open advice column.

So if you have a question about structure or formatting or your gay neighbors — I’m open to any questions you’ve got — send me an email at [email protected], and I’ll do my best to give you a clear, concise response.

To start things off, let’s address a pretty common question:

How do I come up with great character names?

This is a question that plagues every writer. Coming up with a name that is unique but also memorable can be an aggravating challenge.

There are no hard and fast rules when it comes to naming your characters. Sometimes the names really matter, and sometimes they don’t. If you’re writing a love story between two characters, for example, your audience may leave the film not remembering what the characters names were and not caring. All that matters is that it was a story of Boy meets Girl (or Girl meets Girl or Boy befriends Boy or what have you.)

On the other hand, if you’re writing an action script or an ensemble comedy where characters spend a lot of time talking about each other, character names become crucial.

Here are a few rules of thumb to help you come up with great character names: read more »

February 21, 2014

Quote of the Day: Louis L’Amour

If you’re going to be a writer, the first essential is just to write. Do not wait for an idea. Start writing something and the ideas will come. You have to turn the faucet on before the water starts to flow.

February 20, 2014

Video: Story Structure the Kurt Vonnegut Way

The incomparable Kurt Vonnegut gave a lecture once in which he discussed the shapes of stories. Stories of all types, he points out, have very nice curves that can be plotted on a chart. His thoughts apply to screenplays, novels, poems, and everything in between.

Learn from Vonnegut’s example. You may have a brilliant idea that you think breaks all the molds of what stories are supposed to be. Trust me — it doesn’t. Or if it truly does, it’s probably not a very compelling story. read more »

February 20, 2014

Quote of the Day: Sinclair Lewis

It is impossible to discourage the real writers – they don’t give a damn what you say, they’re going to write.

February 19, 2014

Dog Day Afternoon Script

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The Dog Day Afternoon script was written by Frank Pierson and is considered one of the 101 greatest scripts ever written.

February 19, 2014

Quote of the Day: Richard Bach

A professional writer is an amateur who didn’t quit.

February 18, 2014

Scandal Pilot Script

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The pilot script of Scandal was written by creator Shonda Rhimes.

February 18, 2014

Quote of the Day: Frank Darabont

The amazing thing about any movie is not whether it’s good, but that it got made at all.

February 17, 2014

Save the Cat Genres of 2013′s Best Films

Erik Bork has gone through several of 2013′s best films and has pinpointed which of Blake Snyder’s ten genres each film fits into (the genres are from the books Save the Cat and Save the Cat Goes to the Movies). The movies run the gamut, ranging from Dude with a Problem to Buddy Love.

The point isn’t to say that any genre is better than any other, but to note that they all do fall into set story types.

Try going through some of your favorite films and figure out which of the ten genres they fit best. You might be surprised how clearly each film falls into one category. Then look at your own scripts. If they don’t fall neatly into one genre, you probably have some structural issues that you need to work on.

Here’s what Erik has to say:

12 Years a Slave: “Golden Fleece”. The original Golden Fleece, Homer’s Odyssey, established the basic criteria: there’s a long road which some sort of team travels down (usually with a single main character at the center of it), in pursuit of a life-changing prize. The key here is that the audience really cares that they reach the prize – life will be unthinkably bad if they don’t, and so much better if they do. And there are a lot of trials and costs along the way of trying to reach it. What could be a more compelling prize than what this main character is chasing, which is freedom from being unjustly enslaved? And this is what he constantly pursues, throughout the movie. (Great central problems require the main character to continuously push toward their goal, which leads to loads of complications that only increase the problem – until it’s finally resolved at its climax.) Other “Fleeces” include Finding Nemo, The Hangoverand Saving Private Ryan.

American Hustle: Also a “Golden Fleece,” subgenre “Caper Fleece”, where a group of somewhat damaged people try to outwit an (arguably) less sympathetic opponent through a complicated mission, as in The Sting or Oceans 11. I personally wasn’t sure I loved the hero(es) enough, or understood what they were trying to pull off, but wow, great performances, and great hair! read more »

February 17, 2014

Quote of the Day: Ted Rossario

Breaking into the film business is not a problem that resolves itself through a single answer or path. It’s a problem that succumbs only to a process, a series of efforts taken over time. And the bitch of it is, you never know which is the right strategy until it pays off. So you do everything. Whether the odds are with you are not. You do everything.