by Fin Wheeler In order to get our scripts placed in the coveted "to read" pile, we need to successfully pitch our script, and to do that we need short documents for each project. Film Logline Must be less than 50 words. Premise. Protagonist. Point of difference. The genre also has to be clear. Many... Continue Reading →
Mastering the One-Page Synopsis
Susan Dennard has written a great article outlining how to write a compelling one-page synopsis. The format works well for a novel or a script, and can even be used to outline a new story. If you have trouble fitting your script into this format, chances are the problems are in the structure of your... Continue Reading →