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Articles
April 22, 2016 0 Comments

6 Questions to Define Your Concept from Douglas J. Eboch

by Angela Bourassa In my five years of running LA Screenwriter, I’ve had the opportunity to read all sorts of books and articles on the subject of screenwriting. A lot of the information I’ve absorbed just swirls around in my head when I tackle a new script, but there are

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April 21, 2016 0 Comments

Memento and the Truth About Non-Linear Storytelling

by Fin Wheeler You want to make it in the creative industries, and your middle-class sense of entitlement suggests you shouldn’t let a little thing like no knowledge of linear storytelling get in your way. So, you’ve decide to become a loud and proud advocate of non-linear. While a triumph

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April 20, 2016 0 Comments

Irish Writer Mark O’Halloran On Finding the Voice of Cuban Drag Stars in VIVA

by John Bucher (@johnkbucher) Mark O’Halloran is the rare artist that has made his impact both in front of the camera and as a scriptwriter. Working closely with director Lenny Abrahamson (Room), he scripted Adam & Paul, Garage, and the mini-series Prosperity before crafting his latest story, far from his native

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April 19, 2016 0 Comments

Taken Script

The script for Taken was written by Luc Besson and Robert Mark Kamen.

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April 18, 2016 0 Comments

Screenwriter Max Landis Talks About His New Film, Mr. Right

by Ashley Scott Meyers This week I interview screenwriter Max Landis. We talk about his new film, Mr. Right, and how he wrote the script. You can listen to the audio portion of the podcast by clicking here or through iTunes by clicking here. You can also read a transcript

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April 15, 2016 0 Comments

Lost Alum Javier Grillo-Marxuach on Show Running, Collaboration, and D&D

by Fin Wheeler At a recent live-streamed Q and A, the man behind the current Xena reboot project and Lost alum Javier Grillo-Marxuach spoke about his path to show running, writers rooms, past projects and what he’d tell his 22-year-old self if he could go back in time. Javier’s Path

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April 14, 2016 2 Comments

5 Ways to Fail as a Screenwriter

by Greg DePaul (@GregDePaul) Hollywood is hard enough to break into as a screenwriter. But some of us make it even harder. If you’re one of those self-destructive screenwriters who’s doing everything he or she can to fail, this listicle is for you. Here are five sure-fire, battle-tested, absolutely guaranteed

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April 13, 2016 0 Comments

3 Ways to Build Empathy for Difficult Protagonists

by John Bucher (@johnkbucher) For some time now, there’s been a growing trend among protagonists. The new Golden Age of television that we find ourselves in has been built around men and women that most of us would find difficult in real life. Perhaps these characters work because they embody the

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April 12, 2016 0 Comments

New Study Looks at Gender Breakdown of Dialogue in Major Films

by Angela Bourassa Last year we took a look at a study out of the USC Annenburg School for Communication and Journalism on inequality in 700 major movies. That study covers current breakdowns of race, gender, and sexual orientation on screen and behind the camera. Now the good people over

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April 11, 2016 0 Comments

Screenwriter John Hodge (Trainspotting, The Beach) On His New Film, The Program

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