September 23, 2013
The 2013 Emmy Awards were held last night. Below is a list (borrowed from CBS News) of the winners with links to show scripts. Enjoy!
- Drama Series: “Breaking Bad” (AMC)
- Actor, Drama Series: Jeff Daniels, “The Newsroom” (HBO)
- Actress, Drama Series: Claire Danes, “Homeland” (Showtime)
- Supporting Actor, Drama Series: Bobby Cannavale, “Boardwalk Empire” (HBO)
- Supporting Actress, Drama Series: Anna Gunn, “Breaking Bad” (AMC)
- Directing, Drama Series: David Fincher, “House of Cards” (Netflix)
- Writing, Drama Series: Henry Bromell, “Homeland” (Showtime)
- Comedy Series: “Modern Family” (ABC)
- Lead Actor, Comedy Series: Jim Parsons, “The Big Bang Theory” (CBS)
- Lead Actress, Comedy Series: Julia Louis-Dreyfus, “Veep,” (HBO)
- Supporting Actor, Comedy Series: Tony Hale, “Veep” (HBO)
- Supporting Actress, Comedy Series: Merritt Wever, “Nurse Jackie” (Showtime)
- Directing, Comedy Series: Gail Mancuso, “Modern Family” (ABC)
- Writing, Comedy Series: Tina Fey and Tracey Wigfield, “30 Rock” (NBC)
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September 23, 2013
Every secret of a writer’s soul, every experience of his life, every quality of his mind, is written large in his works.
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September 20, 2013
Thomas Mentel recently shared a list of the five highest-grossing screenwriters of all time (meaning their films have made the most money collectively, not necessarily themselves). There are probably some names on this list that you don’t know, but you absolutely should. One name not on the list worth noting is Melissa Rosenburg — the highest-grossing female screenwriter of all time (due primarily to her work on the Twilight series).
Here are a few excerpts from Mentel’s list:
5. David S. Goyer - $1.91 Billion (The Dark Knight, The Dark Knight Rises)
Goyer has made a career out of being the go-to screenwriter for comic adaptations for the screen. However, he’s also had a lot of duds over the years with films like Sony’s Ghost Rider: Spirit of Vengeance and Fox’s Jumper. But overall, he’s been a consistent player for Warner for over a decade with films like the Blade trilogy and the well-regarded sci-fi film Dark City.
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September 20, 2013
To gain your own voice, you have to forget about having it heard.
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September 19, 2013

The TRON: Legacy script was written by Richard Jefferies.
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September 19, 2013
I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story.
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September 18, 2013
E.B. White wrote that there are “no inflexible rules by which the young writer may steer his course. He will often find himself steering by stars that are disturbingly in motion.” With this in mind, we’ve asked working screenwriters to share a list of the “un-rules” that they find most helpful in their writing careers.
Every week we’ve been posting wonderful lists of “un-rules” from successful screenwriters working in the industry today. These un-rules, or “principles” as Robert McKee would call them, are the guiding ideas that each of these writers find most important to their creative process.
Today, I want to take a step back and look at what we’ve learned. Below are the rules that I have found most insightful, practical, and helpful thus far:
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Respect the craft of screenwriting. This includes mastering format and becoming an excellent storyteller. There is no easy way to success. If you believe that your first script will make your career, you will be humbled when you learn that your craft is bigger than you’ll ever be. (Mark Sanderson)
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If you can’t pitch your idea in a sentence, toss it in the garbage. There’s a very good chance the person who has the power to buy your script will never read it. They will simply ask the exec underneath them (that did read it), “What’s it about?” (Joe Gazzam)
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Don’t be afraid to extensively outline. Get examples of outlines where you can. Outline your favorite movies and favorite screenplays to teach yourself about structure. (Kirsten Smith)
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September 18, 2013
Write. Rewrite. When not writing or rewriting, read. I know of no shortcuts.
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September 17, 2013
Every day I post a new quote about writing. The quotes come from famous screenwriters, novelists, poets, and each writer has different ideas about the craft of writing. But there’s one thing that they all agree upon: Writing is hard work.
No one gets into this gig because they think it will be an easy way to turn a quick buck (or if they do think that, they’re quickly corrected.) So why do we write? What could possibly possess us to sit down in front of our laptops or notepads and suffer day after day?
There’s no single reason, and your reason might change from project to project. Whatever you’re working on today, if you’re having trouble getting motivated, here are just a few reasons to push forward.
Reasons to Write
- Because someone’s paying you to
- Because no one has paid you to yet, and you’d like that to change
- To get better at it
- To share your story
- To exorcise your demons
- To express an opinion
- To prove something to yourself
- To explore a new idea
- To see what you’re capable of
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September 17, 2013
We are all apprentices in a craft where no one ever becomes a master.
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