Archive for February, 2013

February 14, 2013

Script: Garden State

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Garden State was written by Zach Braff.

February 14, 2013

Quote of the Day: Cardinal Manning

A critic knows more than the author he criticizes, or just as much, or at least somewhat less.

February 13, 2013

If an 89-Year-Old Man Can Write Romance Novels, You Can Write Scripts

There seems to be a sense in Hollywood that to become successful as a screenwriter, you need to be at least 25 and under 40. And you should probably be white. And a man.

But this picture of the budding writer doesn’t have to be the rule. As a woman, I know I’m in the minority of writers in Hollywood, but that shouldn’t have any bearing on my success. Of course, the world isn’t perfect and biases do exist in Hollywood as they do everywhere else. But at the end of the day, the thing that is going to make you successful or not isn’t your age or your gender or your ethnicity — it will be your writing.

Take, for example, Bill Spence. The British public recently discovered that their beloved Jessica Blair, writer of twenty-two romance novels is actually Bill, an 89-year-old grandfather who once served in the Royal Air Force:

February 13, 2013

Quote of the Day: David Brin

If you believe you can make a living as a writer, you already have enough ego.

February 11, 2013

Script: High Fidelity

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High Fidelity was written by D.V. De Vincentis, Steve Pink, and John Cusack based on the novel by Nick Hornby.

February 11, 2013

Quote of the Day: Samuel Johnson

It will not always happen that the success of a poet is proportionate to his labor.

February 8, 2013

12 Things Spec Readers Look For

There are no hard and fast rules of screenwriting (formatting rules aside), but there are a number of key factors that readers look at to determine whether or not your script will be worth the full read within minutes of picking it up. Ray Morton of Script Mag has listed out the 12 key signs of a promising script:

Professional script readers will often claim that they can tell if a screenplay is going to be good or not after reading just a few pages. This is true – for me, anyway.

Granted, I can’t assess every single nuance of a script’s story in just five or ten or pages, but by assessing twelve specific elements, I can tell if the story, characters, and dialogue have potential and if the writer has the ability to pull off whatever it is she/he is attempting. Here are those twelve elements – those twelve signs of a promising spec:

1. The script is short – between 90 and 110 pages: The average length of a feature film is between 100 and 120 minutes (yes, I know that a lot of modern movies run longer than two hours, but those films are usually the result of self-indulgent directors abusing their right to final cut and does not reflect a desire on the part of the industry at large to make longer movies – studios and theater owners still prefer pictures to be two hours or less so that they can screen them as many times a day as possible and so want screenplays sized accordingly.

February 8, 2013

Quote of the Day: Darrell Schweitzer

If you don’t know it, don’t write it.

February 7, 2013

Script: The Dark Knight Rises

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The Dark Knight Rises was written by Jonathan Nolan and Christopher Nolan.

February 7, 2013

Quote of the Day: Socrates

The misuse of language induces evil in the soul.

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