Archive for October, 2011

October 21, 2011

Story v. Character: Which Matters More?

This article from The Script Lab takes a look at the battle that every writer fights to not just create an unforgettable story but unforgettable characters as well AND to make the two fit together flawlessly. When push comes to shove, which will make a better movie?

There are 12 index cards on the black pegboard in front of me.

Card #1: An explosive opening. There is no way I can write an opening more perfect.

Card #2: The introduction of my Hero- in one scene, I’ve made him likable, relatable, and simply an overall badass.

Card #40: A climax of fantastic proportions. Brave. Jaw-dropping. Exactly the climax I want to tell.

Card #50: A dynamite ending. Emotional. Inspirational. Faulkner would be jealous.

Card #12: Empty. Empty. Empty. Empty. Empty.

Here I am, in the middle of the story, and all around me I have index cards that all tell some semblance of a what I want to write, but no idea how to piece it together. A story that I want to tell, and a character that I absolutely love… and the two just don’t go together.

October 21, 2011

Quote of the Day: Oscar Wilde

An idea that is not dangerous is unworthy of being called an idea at all.

October 20, 2011

Script: Cool Hand Luke

Cool Hand Luke is one of my favorite films of all time, and the script is hard to beat. This shooting draft was made available by Drew’s Script-o-Rama. It was written by Donn Pearce and Frank Pierson based on the novel by Donn Pearce.

October 20, 2011

Quote of the Day: Evan Hunter

I would like to win the Pulitzer Prize. I would like to win the Nobel Prize. I would like to win a Tony award for the Broadway musical I’m now working on. Aside from these, my aspirations are modest ones.

October 19, 2011

Script Analysis: Blade Runner Script

Scott Myers of Go Into the Story has continued his popular series of script analyses with a five part analysis of the script for Blade Runner, considered by many to be one of the best scripts of all time. Don’t forget to read the comments on these posts — your fellow writers have some impressive insights.

Find the Blade Runner script here.

October 19, 2011

Quote of the Day: Joe Eszterhas

From a writing point of view, you now have teams of screenwriters working with a director. What’s lost in the process is the power of that one heart, brain, gut and soul that makes something an original piece of writing.

October 18, 2011

Quote of the Day: Leslie Dixon

I noticed I had developed a fantasy about myself as a writer as opposed to actually doing it so I finally summoned up the bad taste to move to Los Angeles.

October 17, 2011

Recommendation: Where to Write in LA

*Note: Sites and services that I choose to recommend do not compensate me for my recommendation. These are simply resources that I have found helpful.*

I recently discovered OpenWiFiSpots.com and have fallen in love with it. I know some writers prefer to be away from the internet when they work, but for those screenwriters who like to be able to check facts, research locations, or just take a break and check their email, this website is invaluable.

OpenWiFiSpots.com has complete listings of coffee shops, restaurants, libraries, and all sorts of other public locations that have free wifi readily available throughout the Los Angeles area.

Look for wifi hotspots within specific neighborhoods or specific types of locations. This is an amazing resource for finding your new favorite writing spot. Plus, if you’re not LA-based, the site has listings for a number of other major US cities.

October 17, 2011

Quote of the Day: Nora Ephron

Insane people are always sure that they are fine. It is only the sane people who are willing to admit that they are crazy.

October 14, 2011

Quote of the Day: Seth MacFarlane

There are plenty of those jokes we’ve put in there, then screened and were just not at all funny, and just felt moronic.